Embers o Summer, Whispers of Fall

For you GRAMMY® Consideration: Craft Categories

Best Arrangement, Instrumental or A Cappella

Best Instrumental Composition

“Embers of Summer, Whispers of Fall” is, for me, both a meditation on change and a personal reflection on the people we love — those who are no longer with us, or those who will one day leave us. I often wonder: what would we give to spend just one more day with them? A single day — a last day of summer — in the warmth of their presence, knowing that the season, and perhaps that moment, is slipping away. This piece carries that question. The melody is meant to embody nostalgia and tenderness, the fragile balance between memory and presence, between the glow of what has been and the inevitability of what lies ahead.

From a technical and musical perspective, the work is also an experiment in how far a melodic idea can be stretched, reshaped, and made to evolve through orchestration and arrangement without losing its identity. This is a concept I first encountered in depth during my lessons with Maestro Ennio Morricone, who spoke about the power of melodic transformation. I wanted to take a simple motif — fragile, almost whispered — and explore its potential for growth.

The melody is presented with deliberate simplicity at the outset, and then gradually subjected to changes in harmony, register, and texture. Strings are used to expand its lyricism, providing warmth and resonance, while woodwinds are introduced for their ability to add intimacy and fragility, almost like voices recalling distant memories. The orchestration avoids density, focusing instead on transparency: each instrumental color is allowed to emerge and then recede, like light shifting through the hours of a day. Silences and spaces are equally important, acting as breathing points where the listener can feel the melody lingering inside.

In this way, the piece is both emotional and structural: a meditation on life, love, and loss, and at the same time an exercise in melodic development, variation, and orchestral color. Embers of Summer, Whispers of Fall becomes a reflection not only on seasons and memory, but also on melody itself as something living — capable of changing form, yet always preserving its core essence.