“With its percussion, electric guitar and winds, often punctuated with sharp electronics, Sensini’s mix of steely tension and wistfully ironic melody also brings to mind such paranoia-drenched 70’s scores as “The Conversation” and “The Parallax View,” as well as later conspiratorial soundtracks like “The Firm” as it conjures a world of backroom dealings, sordid sex and lethal opportunism. ”
Daniel Schweiger(Film Music Magazine) about All Against All