• NEWS - Uncategorized

    “Rocks in My Pockets” Ost at the Soundtrack Geek Awards 2015

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    http://www.soundtrackgeek.com/v2/soundtrack-geek-awards-2015-nominees-vote-now/

    I’m really happy to announce you that my score received a nomination at the 5th Annual Soundtrack Geek Awards presented by Soundtrack Geek and Soundtrack Dreams!

    “Rocks in My Pockets” is in noination in the Best Animation Score category, here are the other nominees


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    The Nominees are chosen based on Top Scores 2014 Critic’s Choice, Soundtrack Geek Index and Soundtrack Dreams top choices for 2014.

    Basically 7 nominees are chosen based on what 20+ soundtrack review sites say about the scores and the rest are added based on the Soundtrack Geek Index and Soundtrack Dreams top scores for 2014. For the category Best Score 10 are chosen. For Best Cue, there are 20 nominees.

    So start voting! The votes will close in 6 days (at midnight 17 of January) and the winners will be announced on Sunday January 18!

  • NEWS - PRESS

    “Rocks In my Pockets” Soundtrack on the Academy Awards Website!

    blog_music-original-score_1430x804

    The Academy announced on Friday that 114 titles advanced in the best original score category.

    I’m happy to announce you that the score I wrote for Rocks In My Pockets is one of them.

    It’s a feeling beyond words to read my name on the Academy website.

    http://www.oscars.org/news/114-original-scores-2014-oscar-race

    I’m really proud to be in that list along with some of my favourite composers Michael Giacchino, Howard Shore, Alexandre Desplat, Danny Elfman, Christopher Lennertz, Patrick Cassidy, John Debney, Hans Zimmer, Marco Beltrami, Alberto Iglesias (Composer), Johnny Greenwood, Thomas Newman, James Newton Howard, Bruno Coulais, Jóhann Jóhannsson, Philip Glass, Gustavo Santaolalla and obviously Dario Marianelli (the other italian in the race).

    The movie directed by Signe Baumane is also in competition in the categories “Best Foreign Movie” and Best Animation Movie.

    http://www.hollywoodreporter.com/news/oscars-114-titles-advance-original-757395

    http://entradanumerada.com/114-bandas-sonoras-originales-preseleccionadas-para-la-87a-edicion-de-los-oscar/

    http://www.wearemoviegeeks.com/2014/12/academy-announces-eligibility-114-scores-79-songs-323-feature-films-87th-oscar-race/

    http://deadline.com/2014/12/oscars-original-score-category-movies-nominations-1201322702/

    The Academy of Motion Picture Arts and Sciences today announced that 114 scores from eligible feature-length motion pictures released in 2014 are in contention for nominations in the Original Score category for the 87th Oscars.
    The eligible scores along with their composers are listed below, in alphabetical order by film title:

    “American Revolutionary: The Evolution of Grace Lee Boggs,” Vivek Maddala, composer
    “Anita,” Lili Haydn, composer
    “Annabelle,” Joseph Bishara, composer
    “At Middleton,” Arturo Sandoval, composer
    “Atlas Shrugged: Who Is John Galt?,” Elia Cmiral, composer
    “Bears,” George Fenton, composer
    “Belle,” Rachel Portman, composer
    “Big Eyes,” Danny Elfman, composer
    “Big Hero 6,” Henry Jackman, composer
    “The Book of Life,” Gustavo Santaolalla and Tim Davies, composers
    “The Boxtrolls,” Dario Marianelli, composer
    “Brick Mansions,” Trevor Morris, composer
    “Cake,” Christophe Beck, composer
    “Calvary,” Patrick Cassidy, composer
    “Captain America: The Winter Soldier,” Henry Jackman, composer
    “The Case against 8,” Blake Neely, composer
    “Cheatin’,” Nicole Renaud, composer
    “Dawn of the Planet of the Apes,” Michael Giacchino, composer
    “The Disappearance of Eleanor Rigby: Them,” Son Lux, composer
    “Divergent,” Tom Holkenborg, composer
    “Dolphin Tale 2,” Rachel Portman, composer
    “Dracula Untold,” Ramin Djawadi, composer
    “Draft Day,” John Debney, composer
    “The Drop,” Marco Beltrami and Buck Sanders, composers
    “Earth to Echo,” Joseph Trapanese, composer
    “Edge of Tomorrow,” Christophe Beck, composer
    “Endless Love,” Christophe Beck and Jake Monaco, composers
    “The Equalizer,” Harry Gregson-Williams, composer
    “Exodus: Gods and Kings,” Alberto Iglesias, composer
    “The Fault in Our Stars,” Mike Mogis, composer
    “Finding Vivian Maier,” J. Ralph, composer
    “Fury,” Steven Price, composer
    “Garnet’s Gold,” J. Ralph, composer
    “Girl on a Bicycle,” Craig Richey, composer
    “The Giver,” Marco Beltrami, composer
    “Godzilla,” Alexandre Desplat, composer
    “Gone Girl,” Trent Reznor and Atticus Ross, composers
    “The Good Lie,” Martin Léon, composer
    “The Grand Budapest Hotel,” Alexandre Desplat, composer
    “The Great Flood,” Bill Frisell, composer
    “Hercules,” Fernando Velázquez, composer
    “The Hero of Color City,” Zoë Poledouris-Roché and Angel Roché, Jr., composers
    “The Hobbit: The Battle of the Five Armies,” Howard Shore, composer
    “The Homesman,” Marco Beltrami, composer
    “Horrible Bosses 2,” Christopher Lennertz, composer
    “How to Train Your Dragon 2,” John Powell, composer
    “The Hundred-Foot Journey,” A.R. Rahman, composer
    “The Hunger Games: Mockingjay – Part 1,” James Newton Howard, composer
    “I Origins,” Will Bates and Phil Mossman, composers
    “The Imitation Game,” Alexandre Desplat, composer
    “Inherent Vice,” Jonny Greenwood, composer
    “Interstellar,” Hans Zimmer, composer
    “The Interview,” Henry Jackman, composer
    “Into the Storm,” Brian Tyler, composer
    “Jal,” Sonu Nigam and Bickram Ghosh, composers
    “The Judge,” Thomas Newman, composer
    “Kill the Messenger,” Nathan Johnson, composer
    “Kochadaiiyaan,” A.R. Rahman, composer
    “Legends of Oz: Dorothy’s Return,” Toby Chu, composer
    “The Lego Movie,” Mark Mothersbaugh, composer
    “The Liberator,” Gustavo Dudamel, composer
    “Life Itself,” Joshua Abrams, composer
    “Living Is Easy with Eyes Closed,” Pat Metheny, composer
    “Lucy,” Eric Serra, composer
    “Maleficent,” James Newton Howard, composer
    “The Maze Runner,” John Paesano, composer
    “Merchants of Doubt,” Mark Adler, composer
    “Million Dollar Arm,” A.R. Rahman, composer
    “A Million Ways to Die in the West,” Joel McNeely, composer
    “Mr. Peabody & Sherman,” Danny Elfman, composer
    “Mr. Turner,” Gary Yershon, composer
    “The Monuments Men,” Alexandre Desplat, composer
    “A Most Violent Year,” Alex Ebert, composer
    “My Old Lady,” Mark Orton, composer
    “Night at the Museum: Secret of the Tomb,” Alan Silvestri, composer
    “Nightcrawler,” James Newton Howard, composer
    “No God, No Master,” Nuno Malo, composer
    “Noah,” Clint Mansell, composer
    “Non-Stop,” John Ottman, composer
    “The One I Love,” Danny Bensi and Saunder Jurriaans, composers
    “Ouija,” Anton Sanko, composer
    “Paddington,” Nick Urata, composer
    “Penguins of Madagascar,” Lorne Balfe, composer
    “Pompeii,” Clinton Shorter, composer
    “The Purge: Anarchy,” Nathan Whitehead, composer
    “The Railway Man,” David Hirschfelder, composer
    “Red Army,” Christophe Beck and Leo Birenberg, composers
    “Ride Along,” Christopher Lennertz, composer
    “Rocks in My Pockets,” Kristian Sensini, composer
    “Rosewater,” Howard Shore, composer
    “St. Vincent,” Theodore Shapiro, composer
    “The Salt of the Earth,” Laurent Petitgand, composer
    “Selma,” Jason Moran, composer
    “The Signal,” Nima Fakhrara, composer
    “Snowpiercer,” Marco Beltrami, composer
    “Song of the Sea,” Bruno Coulais, composer
    “Still Alice,” Ilan Eshkeri, composer
    “The Tale of the Princess Kaguya,” Joe Hisaishi, composer
    “Teenage Mutant Ninja Turtles,” Brian Tyler, composer
    “That Awkward Moment,”
    David Torn, composer
    “The Theory of Everything,” Jóhann Jóhannsson, composer
    “This Is Where I Leave You,” Michael Giacchino, composer
    “300: Rise of an Empire,” Tom Holkenborg, composer
    “Tracks,” Garth Stevenson, composer
    “Transformers: Age of Extinction,” Steve Jablonsky, composer
    “22 Jump Street,” Mark Mothersbaugh, composer
    “Unbroken,” Alexandre Desplat, composer
    “Under the Skin,” Mica Levi, composer
    “Virunga,” Patrick Jonsson, composer
    “Visitors,” Philip Glass, composer
    “A Walk among the Tombstones,” Carlos Rafael Rivera, composer
    “Walking with the Enemy,” Timothy Williams, composer
    “Wild Tales,” Gustavo Santaolalla, composer
    “X-Men: Days of Future Past,” John Ottman, composer

    A Reminder List of works submitted in the Original Score category will be made available with a nominations ballot to all members of the Music Branch, who shall vote in the order of their preference for not more than five achievements.  The five achievements receiving the highest number of votes will become the nominations for final voting for the award.
    To be eligible, the original score must be a substantial body of music that serves as original dramatic underscoring, and must be written specifically for the motion picture by the submitting composer.  Scores diluted by the use of tracked themes or other preexisting music, diminished in impact by the predominant use of songs, or assembled from the music of more than one composer shall not be eligible.
    The 87th Academy Awards nominations will be announced live on Thursday, January 15, 2015, at 5:30 a.m. PT in the Academy’s Samuel Goldwyn Theater.
    The Oscars will be held on Sunday, February 22, 2015, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network.  The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.

    114 ORIGINAL SCORES IN 2014 OSCAR RACE - Oscars.org - Academy of Motion Picture Arts and Sciences

  • NEWS - Uncategorized

    Global Music Award

     

    GMA

     

    I’m really proud to announce you that I won a Global Music Award for the original score of the horror movie “Hyde’s Secret Nightmare”.

    Global Music Awards’ (GMA) goal is to celebrate truly independent musicians, rather than being like other music talent competitions that honor only the best-selling recording artists from all around the world. GMA is a showcase for original music, unique voices and undiscovered and emerging artists.

    Winning a Global Music Award honors is a huge accomplishment. It proves that musicians can make it outside of the major label system and still be recognized for their work. The artists who win this award are just as talented as some of the biggest artists in the country. GMA impacts people in an incredibly positive way and fulfills an important role in exposing worthy independent music to a wider audience.

    Others notable winner of this award in the past years were: Austin Wintory (Journey), Larry Groupè (The Contender), Omar Sosa & Paolo Fresu, Jesper Kyd (Assassin’s Creed), Ryan Shore (Prime, The Shrine), Winifred Phillips (Assassin’s Creed Liberation).

    You can listen to samples from the album at the following link

    or on SPOTIFY . If you want you can buy the album on ITUNES or you can shop on the website of KRONOS RECORDS if you want receive an “Old Fashioned” hard copy on CD.

  • NEWS - Uncategorized

    Jerry Goldsmith International Film Music Awards VIII edition

    It’s my great pleasure and excitement to announce you that you truly received 2 nominations at Jerry Goldsmith Awards.

    The first is in the Category BEST SONG, for the ending titles of the short movie “My Chiamo Giulia ed ho Paura” directed by Henry Secchiaroli.

    Here you can listen to both the song and the instrumental version. The song is performed by Laura Bruno and the lyrics are by Agnese Flagiello.

     

    The second nomination is in the category PROMOTIONAL for the string quartets i wrote for the corporate video “Le Radici di una Scarpa” directed by Andrea Baldassarri

     

    The winner for both categories will be announced at the end of June at Cordòba International Film Music Festival.

    The guest composers this year will be: Marco Beltrami (Elmer Bernstein Award recipient), Mychael Danna, Rachel Portman,  William Ross, Ilan Eshkeri, Peter Bernstein, Zacarías M. de la Riva, Roque Baños, Federico Jusid, Nani Garcia.

    http://festivaldecordoba.com/en

    I want to share with you this track too, i’ve composed it hoping for a nominèe in FREE CREATION category. The track is inspired by the book “Il 18° Vampiro” written by Claudio Vergnani.

     

    goldsmith2013 nominees

  • NEWS - PRESS

    MOVIE MUSIC UK AWARD – special Mention to “Hyde’s Secret Nightmare” OST

    What can I say? I’m speechless and really surprised to read my name near the ones of some of my idols like Danny Elfman, Marco Beltrami, James Newton Howard !

    K.

     

    MOVIE MUSIC UK AWARDS 2012 PART VIII
    Here are my choices in the BEST ORIGINAL SCORE FOR A FANTASY/SCI-FI/HORROR FILM

    by JON BROXTON http://moviemusicuk.us/

    Winner:
    – CLOUD ATLAS, Tom Tykwer, Reinhold Heil and Johnny Klimek

    Nominees:
    – THE HOBBIT: AN UNEXPECTED JOURNEY, Howard Shore
    – JOHN CARTER, Michael Giacchino
    – SINISTER, Christopher Young
    – THE TWILIGHT SAGA: BREAKING DAWN, PART 2, Carter Burwell

    2012 was a strong year for genre films, with several standout scores making a real positive impression. For me, the crowning achievement was CLOUD ATLAS by Tom Tykwer, Reinhold Heil and Johnny Klimek, who were faced with the unenviable task of linking through music six stories set in six different time periods, six different locations, and in six different genres, while simultaneously writing a memorable classical piece that, according to the film’s screenplay, needed to sound as though it would last across the ages. Amazingly, they actually succeeded in doing this, writing a score which was dramatically appropriate and conceptually brilliant, weaving themes and motifs across the different stories to create an elaborate musical tapestry of freedom, loss and predestination.
    Michael Giacchino’s score for the critically maligned JOHN CARTER was a triumph, and runs Cloud Atlas a close second; a broad and sweeping fantasy score in the classic John Williams tradition, the music managed to transcend its origins with epic orchestral themes, thunderous action cues, and a sense of majesty. Elsewhere, despite tremendous pressure and anticipation from the film music community, Howard Shore was able to recapture the sense of scope and drama of The Lord of the Rings trilogy with his score for THE HOBBIT: AN UNEXPECTED JOURNEY, which combined the familiar themes from the first three films with a host of new themes to capture the epic journey of Bilbo Baggins and the dwarves of Erebor.
    Another scores based on fantasy literature – albeit with slightly less acclaim than those by JRR Tolkein – was Carter Burwell’s score for the fifth and final Twilight film, BREAKING DAWN, PART 2, which showed Burwell in a new light, writing large-scale and driving fantasy action music in addition to the familiar contemporary romantic scoring that accompanied the developing relationship between moody teenager Bella Swan and her bloodsucking suitor, vampire Edward Cullen.
    The joker in the pack is Christopher Young’s SINISTER, a creepy horror movie for which Young wrote his first ‘sound effects’ score, which mixed harsh electronic dissonances, contemporary dubstep rhythms, and all manner of orchestral histrionics to create a vicious, unsettling, wonderfully evocative soundscape that is very difficult to listen to, but makes the scares of its film exponentially scarier – which is the whole point of the score in the first place!

    Runners up worth special mentions in this category include BAIT 3D by Joe Ng and Alex Oh, DARK SHADOWS by Danny Elfman, DEAD SOULS by Matthew Llewellyn and Jonathan Bartz, HYDE’S SECRET NIGHTMARE by Kristian Sensini, MEN IN BLACK 3 by Danny Elfman, REC 3: GENESIS by Mikel Salas, SNOW WHITE AND THE HUNTSMAN by James Newton Howard, THE TALL MAN by Todd Bryanton and Joel Douek, THE WICKER TREE by John Scott, and THE WOMAN IN BLACK by Marco Beltrami.