“This is 'classical' music in the purest and most rigorous sense of the term, there is no doubt about that. Given the fact that I am a great lover of quartet literature, some reminiscences of a tradition that goes from the last Beethoven quartets to those of Philip Glass, passing above all through Shostakovich and Bartok, seem evident and finely reworked: everything, however, seems to me rethought as lyricism that is as intense as it is sober, strengthened by a refined contrapuntal texture. Characteristics that I remember well being part of all your style also in your works for the cinema. The result is a very pleasant and deep listening, with "visionary" flashes.”
