• NEWS - PRESS

    Rocks in My Pockets Interview on Indiewire

    A new Interview to Signe Baumane on Indiewire with a very nice mention to my work on Rocks in my Pockets

    http://blogs.indiewire.com/animationscoop/immersed-in-movies-signe-baumane-talks-rocks-in-my-pockets-20141231

     

    BD: The score by Kristian Sensini captures the mood quite nicely. What was it like collaborating with him?

    SB: Kristian was the greatest gift to the project. It was a thrill to work with such an extraordinarily talented composer who was willing to try new things and understood visual storytelling. Rocks was a difficult film to score because there is so much voice-over in it. Kristian treated the voice-over as a soprano and he scored it accordingly, making it part of the melody, sometime even harmonizing with it. In effect, the music and voice-over feels as one — one extended song. The other challenge Kristian had with scoring Rocks was that the film deals with a very difficult subject, but it never sinks into self pity or despair. Kristian’s genius was that with his music he was able to accent the comedy, the lightness of the story (for example, my grandfather Indulis’ back story), but also he was very capable of going into deep dark places. (For example, his music for my cousin Irbe’s story is so haunting that I sometimes wake up at 4:00 am hearing it.) The ability to understand and deliver comedy and tragedy is extremely rare in one composer. So, we got two in one.

     

    Immersed in Movies- Signe Baumane Talks 'Rocks in My Pock - Animation Scoop

  • NEWS - PRESS

    “Rocks In my Pockets” Interview on Variety

    image

    http://variety411.com/article/2d-and-3d-combine-in-animator-signe-baumanes-rocks-in-my-pockets-4139868/

    Interview with director Signe Baumane with a nice mention about my music

    "Days away from “Rocks in my Pockets” first festival submission, the film remained scoreless. While Baumane had initially contracted a New York musician whose work she adored, the performer hadn’t captured the complex emotion and playfulness she’s anticipated.  Friend and animator Bill Plimpton suggested she contact composer Kristian Sensini. After listening to a demo of Sensini’s work, she reached out to him.

    “I sent three minutes of the film. Within twelve hours he sent back the most amazing, stunning work,” said Bauman. “Then five minutes later he sent another, then he sent one more version five minutes after that. He was excited and had such a great work ethic, he was really able to hear the humor, the lightness – he got what I was going after the whole time.”

  • NEWS - Uncategorized

    Working on…”ROCKS IN MY POCKETS”

    Sorry for the recent lack of updates on the website, I’m stuck in my recording studio working on an amazing animation project.

    I’m writing the soundtrack for the animation movie “ROCKS IN MY POCKETS”, written and directed by the talented Signe Baumane.

    She’s a great storyteller, a really original visual artist, not to talk she’s a member of the  Academy of Motion Pictures and Sciences and winner of a lot of movie awards in international festivals.

    So…i’m amazed to work with her and his team, it’s really a great artistic experience (Signe’s website is http://www.signebaumane.com/).

    Signe Baumane

    She wrote: “ The good news – we found another composer, Kristian Sensini. In less than a week he composed over 15 minutes of music that fits well with the film’s images and supports the intense voiceover. As a film score composer he possesses a special kind of sensitivity that we’d like to call Sensinity. “ The project is really interesting (and difficult) to score, that’s because it’s an animation movie, not for kids, and the music i’m writing must be supporting to the voiceover of the narrator, without distracting the listeners. Is definitely a stimulating challenge.

    This is the third time i work with a female director (the other two projects was “Butterfly Rising” by Tanya Wright” and “Brightside” by Clair Haynes), i can only confirm that working with such talented women is a pleasure!

     

    Official website for the movie is http://www.rocksinmypocketsmovie.com/ the facebook page is https://www.facebook.com/RocksInMyPocketsMovie

    There’s a blog too where you can follow the production process of the movie http://rocksinmypocketsthemovie.wordpress.com/ if you’re a filmaker … well you must absolutely read it.

    image

    I’m a bit in hurry these days, working like a fool to delivery in 4 weeks the music for this 90 minutes animation film.

    I hope in the near future to post here some music samples from what I’m writing (and recording) right now.

     

    THE STORY
    “Rocks In My Pockets” is a story of mystery and redemption. The film is based on true events involving the women of my family (including myself) and their surrender to madness, with names changed to protect innocent bystanders. The film is packed with visual metaphors, surreal images and my twisted sense of humour. If you love animation, art, women, strange daring stories, Latvian accents, history, nature and adventure, this is a film for you!

    A word by the director: “I am making this film because I find the fragility of our minds fascinating. Life is strange, unpredictable and I see the humour in it all. Yes, I almost broke down, but I came back to tell my story. I hope you’ll laugh with me.”

    Miranda amid Midsummer flowers.

    THE ART OF IT
    Each of the 129,600 frames in “Rocks In My Pockets” has been handcrafted. First I made paper mache sets – rooms, forests, city streets. Then we lit and shot them with a digital camera either as still pictures or as stop motion sequences creating a 3D effect. Then on paper, I hand animated the 2D characters walking, talking and interacting with the stop motion sets. After the animation was done, each drawing was scanned and coloured in Photoshop. Then the sequence was imported into After Effects for compositing and output. The final edit is being done in Final Cut Pro. “Rocks In My Pockets” is 90 minutes long, it has 20 episodes comprised of 669 scenes. There are 28 stop motion paper mache sets and approximately 23,000 drawings.

    Anna falls in love with Indulis.

    Indulis receives funding for his turpentine enterprise

    Still 001

    Still 003

  • NEWS - PRESS

    Nuovo articolo dedicato alla OST di Hyde’s Secret Nightmare

    Questa volta a fare gli onori di casa è la redazione di www.HorrorMovie.it 

    Operazione crowdfunding per la colonna sonora di “Hyde’s Secret Nightmare”

    Hyde's Secret Nightmare

    Ci arriva in redazione un comunicato per un’iniziativa legata al finanziamento collettivo della colonna sonora del film “Hyde’s Secret Nightmare”.
    Il film è diretto da Domiziano Cristopharo, nome ormai noto al panorama indipendente italiano per “House of Flesh Mannequins”, “The Museum of Wonders” e i due recentissimi film episodici “P.O.E.”; mentre la colonna sonora in questione è composta da Kristian Sensini, già impegnato in passato in tutte le collaborazioni con Cristopharo.
    “Hyde’s Secret Nightmare”, attualmente in fase post-produttiva, è una rivisitazione in chiave horror/erotica del celebre romanzo di Robert Louis Stevenson “Lo strano caso del Dr. Jekyll e del signor Hyde” in cui il dottore del titolo, grazie alla sua leggendaria pozione, si trasforma in una formosa donna assestata di sangue e sesso, interpretata dall’attrice hard Roberta Gemma.
    Di seguito il comunicato sulla colonna sonora del film.
    Il compositore Kristian Sensini ha varato una nuova iniziativa per la produzione della sua nuova colonna sonora. Si tratta di finanziare il nuovo lavoro attraverso il crowdfunding, processo di finanziamento collaborativo in cui più persone partecipano attraverso una donazione in denaro per sostenere progetti e organizzazioni.
    In questo caso, con un piccolo contributo, sarà possibile produrre la score di “Hyde’s Secret Nightmare” del regista Domiziano Cristopharo.
    Partecipando a questa iniziativa si effettuerà un pre-ordine della colonna sonora che si riceverà non appena stampata. Secondo il business plan proposto c’è, inoltre, un’opzione dedicata ai registi i quali, partecipando con una donazione maggiore, potranno avere i diritti per utilizzare le musiche presenti nel cd all’interno dei propri film oppure ricevere una colonna sonora personalizzata.
    Lo stile utilizzato per la OST è per lo più quello classico con accenni elettronici e progressive rock anni 80.
    La buona musica e il genere horror hanno da sempre i propri seguaci appassionati e con un piccolo aiuto e questa passione potete supportare questo progetto affinché venga realizzato.

    PER CONOSCERE TUTTI I DETTAGLI SI PUO’ CONSULTARE LA PAGINA http://www.indiegogo.com/Secretnightmare

     

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